Alexander, S. M. Glossary of Technical Terms in Merrifield's Dover edition Medieval and Renaissance Treatises. New York: Dover Publications, Inc, 1967, 1999. Print
Andrews, E. B. trans. Platina. De Honesta Voluptatae. L. de Aguila. Venice, 1475. St. Louis: Mallinckrodt, 1967.
in Latin
Anonymous. A Booke of Secrets: Shewing diues waies to make and prepare all sorts of Inke, and Colours. London: Adam Islip, 1596.
at Godfrey's Bookshelf
'plain speak' with glossary
Asplund, Randy. http://www.randyasplund.com/
personal communications through e-mail and facebook
Audsleym W. and G. Guide to the Art of Illuminating and Missal Painting. London: George Rowney and Co., 1861.
Barkeshli, Mandana. “The presence of
saffron in Persion miniature paintings and it's use as an inhibitor
for the destructive effect of verdigris.” Triennial meeting,
Lyon, 29 Aug.-3 Sept. 1999. London: James and James 1999.
Bechtold, Thomas, and Rita Mussak, eds. Wiley Series in Renewable Resources: Handbook of Natural Colorants. [PDF]Handbook of Natural Colorants. LatvijasUniversitātes Bioloģijas Fakultāte, n.d. Web. <http://priede.bf.lu.lv/grozs/AuguFiziologijas/Augu_resursu_biologija/gramatas/Natural%20Colorants.pdf>.
Broecke, Lara. Cennino Cennini's Il libro dell'arte, A new English translation and commentary with Italian transcription. London: Archetype Publications Ltd., 2015. Print. ISBN: 978-1-909492-28-8
Brown, Jamin. http://alexandresaintpierre.blogspot.com/
http://www.thepensivepen.com/
Brown, Michelle. Understanding Illuminated Manuscripts: A Guide to Technical Terms. Los Angeles: J. Paul Getty Museum in Association with the British Library, 1994. Print.
Bucklow, Spike. The Alchemy of Paint Art, Science and Secrets from the Middle Ages. London: Marion Boyars, 2009. Print.
Bechtold, Thomas, and Rita Mussak, eds. Wiley Series in Renewable Resources: Handbook of Natural Colorants. [PDF]Handbook of Natural Colorants. LatvijasUniversitātes Bioloģijas Fakultāte, n.d. Web. <http://priede.bf.lu.lv/grozs/AuguFiziologijas/Augu_resursu_biologija/gramatas/Natural%20Colorants.pdf>.
Broecke, Lara. Cennino Cennini's Il libro dell'arte, A new English translation and commentary with Italian transcription. London: Archetype Publications Ltd., 2015. Print. ISBN: 978-1-909492-28-8
Brown, Jamin. http://alexandresaintpierre.blogspot.com/
http://www.thepensivepen.com/
Brown, Michelle. Understanding Illuminated Manuscripts: A Guide to Technical Terms. Los Angeles: J. Paul Getty Museum in Association with the British Library, 1994. Print.
Bucklow, Spike. The Alchemy of Paint Art, Science and Secrets from the Middle Ages. London: Marion Boyars, 2009. Print.
Burnham, John M. A Classical Technology edited from Codex Lucensis, 490. Boston: The Gorham Press, 1920. Print.
Clarke, Mark. The Art of All Colours. London: Archetype Publications, Ltd., 2001. Print.
Clarke, Mark. Mediaeval Painters' Materials and Techniques: The Montpellier Liber Diversarum Arcium. London: Archetype Publ., 2011. Print.
Clemens, Raymond and Graham, Timothy. Introduction to Manuscript Studies. Ithaca and London: Cornell University Press, 2007.
d'Avignon, Maitresse Yvianne de Castel. Http://www.angelfire.com/pa/allthat2/scriptorium/paint.html
Dean, Jenny. Wild Color, The Complete Guide to Making and Using Natural Dyes. New York: Watson-Guptill Publications, 1999, 2010. Print. ISBN: 978-0-8230-5879-2
Eastaugh, Nicolas et al. Pigment Compendium A Dictionary of Historical Pigments. Boston: Elsevier, Ltd, 2008. Print.
Eastlake, Charles Lock. Methods and Materials of Painting of the Great Schools and Masters: Two Volumes Bound as One. Mineola, NY: Dover Publications, 2001. Print.Clarke, Mark. The Art of All Colours. London: Archetype Publications, Ltd., 2001. Print.
Clarke, Mark. Mediaeval Painters' Materials and Techniques: The Montpellier Liber Diversarum Arcium. London: Archetype Publ., 2011. Print.
Clemens, Raymond and Graham, Timothy. Introduction to Manuscript Studies. Ithaca and London: Cornell University Press, 2007.
Culpeper, Nicholas, and E. Sibly. Culpeper's
English Physician, and Complete Herbal: To Which Are Now First Added,
Upwards of One Hundred Additional Herbs, with a Display of Their
Medicinal and Occult Properties, Physically Applied to the Cure of All
Disorders Incident to Mankind: To Which Are Annexed, Rules for
Compounding Medicine According to the True System of Nature, Forming a
Complete Family Dispensatory, and Natural System of Physic, Beautified
and Enriched with Engravings of Upwards of Four Hundred and Fifty
Different Plants, and a Set of Anatomical Figures: Illustrated with
Notes and Observations, Critical and Explanatory. London: Printed by
J. Adlard ... for the Proprietors, and Sold ... by Champante and
Whitrow ..., 1810. Web.
at Virginia
Damrosch, Barbara. The Garden Primer. New York: Workman Publishing Company, Inc., 1988. Print. ISBN 0-89480-317-4at Virginia
d'Avignon, Maitresse Yvianne de Castel. Http://www.angelfire.com/pa/allthat2/scriptorium/paint.html
Dean, Jenny. Wild Color, The Complete Guide to Making and Using Natural Dyes. New York: Watson-Guptill Publications, 1999, 2010. Print. ISBN: 978-0-8230-5879-2
Eastaugh, Nicolas et al. Pigment Compendium A Dictionary of Historical Pigments. Boston: Elsevier, Ltd, 2008. Print.
Feldberg, Wendy. https://wendyfe.wordpress.com/2013/06/20/iris-dyes-inks-and-clothlets/
Fisher, Celia. The Medieval Flower Book. London, The British Library, 2013. Print.
Gerard, John, Thomas Johnson, Holly Ollivander, and Huw Thomas. Gerard's Herbal: Selections from the 1633 Enlarged and Amended Edition. Llandeilo: Velluminous, 2009. Web.
A note on the translation.
(Virginia edu website)
Hawthorme, John G., and Cyril Stanley Smith. On Divers Arts: The Foremost Medieval Treatise on Painting, Glassmaking and Metalwork. New York: Dover Publications, 1979. Print.
Herringham, Christiana J. The Book of the Art of Cennino Cennini: A Contemporary Practical Treatise on the art of Quattrocento Painting. London, 1899. Digital archive from Google.
Kirby, Jo, Joanna Cannon, and Susie Nash. Trade in Artists' Materials: Markets and Commerce in Europe to 1700. London: Archetype, 2010. Print.
Massoul, Constant De. A Treatise on the Art of Painting, and the Composition of Colours, Containing Instructions for All the Various Processes of Painting: Together with Observations upon the Qualities and Ingredients of Colours. London: Published and Sold by the Author of the Original, and His Manufactory, No. 136, New Bond-Street. Where Ladies and Gentlemen May Be Furnished with Every Article Necessary for Painting and Drawing, 1797. Https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t6349tj9m;view=1up;seq=3. Web.
Merrifield, Mary P. Original Treatises: Dating from the XIIth to XVIIIth Centuries on the Arts of Painting, in Oil, Miniature, Mosaic, and on Glass; of Gilding, Dyeing, and the Preparation of Colours and Artificial Gems; Preceded by a General Introduction; with Translations, Prefaces, and Notes, In Two Volumes. London: John Murray, Albemarle Street, 1849. Print.
-- The new Dover edition with a glossary also suggests some of her dating of the manuscripts is not correct.
Medieval and Renaissance Treatises on the Arts of Painting, Original Texts with English Translations. New York: Dover Publications, Inc, 1967, 1999. Print
ISBN-13: 978-486-40440-0
Digital Copies:
Original Treatises: Dating from the XIIth to XVIIIth Centuries on the Arts of Painting, in Oil,
Miniature, Mosaic, and on Glass; of Gilding, Dyeing, and the Preparation of Colours and
Artificial Gems; Preceded by a General Introduction; with Translations, Prefaces, and Notes,
Volume 1
Original Treatises: Dating from the XIIth to XVIIIth Centuries on the Arts of Painting, in Oil,
Miniature, Mosaic, and on Glass; of Gilding, Dyeing, and the Preparation of Colours and
Artificial Gems; Preceded by a General Introduction; with Translations, Prefaces, and Notes,
Volume 2
Morrison, B. Y. Garden Irises. N.p.: n.p., 1926. Web.
Neven, Sylvie. The Strasbourg Manuscript: A Medieval Tradition of Artists' Recipe Collections (1400-1570). London: Archetype Publications, 2016. Print.
Peterson, Roger Tory and McKenny, Margaret. A Field Guide to Wildflowers Northeastern and North-central North America. Boston: Houghton Mifflin Company, 1968. Print.
ISBN 0-395-18325-1
Phillip, William, and W. P. A Booke of Secrets: Shewing Diuers Waies to Make and Prepare All Sorts of Inke, and Colours: as Blacke, White, Blew, Greene, Red, Yellow, and Other Colours. Also to Write with Gold and Siluer, or Any Kind of Mettall out of the Pen: with Many Other Profitable Secrets, as to Colour Quils and Parchment of Any Colour: and to Graue with Strong Water in Steele and Iron. ... Translated out of Dutch into English, by W.P. Hereunto Is Annexed a Little Treatise, Intituled, Instructions for Ordering of Wines: Shewing How to Make Wine, That It May Continue Good and Faint Not ... Written First in Italian, and Now Newly Translated into English, by W.P. Printed by Adam Islip for Edward White, and Are to Be Sold at His Shop at the Little North Dore of Pouls, at the Signe of the Gun, 1596.
'plain speak' with glossary
A Photographic Guide to Wildflowers of Britain and Europe. London: New Holland (Publishers) Ltd., 1995. Print.
Smith, Cyril Stanley and Hawthorne, Daniel G. "Mappae Clavicula, a little key to the world of medieval techniques." Transactions of the American Philosophical Society held at Philidelphia for promoting useful knowledge. New series Volume 64, part 4. Philidelphia: The American Philosophical Society, 1974. Print.
Stuart, Malcolm, ed. Encyclopedia of Herbs and Herbalism. Black Cat ed. London: Macdonald &, 1987. Print.
Theophilus. On Divers Arts: The Foremost Medieval Treatise on Painting, Glassmaking and Metalwork. N.Y.: Dover, 1979. Print.
Thompson, Daniel V. The Craftsman's Handbook. "Il Libro dell'Arte". New York: Dover Publications, Inc, 1960. Print.
And a virtual copy here.
Thompson, Daniel V. The Materials and Techniques of Medieval Painting. New York: Dover Publications, 1956. Print.
Thompson, Daniel V., and George Heard Hamilton. An Anonymous Fourteenth-century Treatise, De Arte Illuminandi: The Technique of Manuscript Illumination. New Haven: Yale UP, 1933. Print.
Turner, Clair.
http://medieval-whimsies.blogspot.com/2011/12/making-storing-glair.html#more
Vasari, Giorgio, Louisa S. Maclehose, and G. Baldwin Brown. Vasari on Technique; Being the Introduction to the Three Arts of Design, Architecture, Sculpture and Painting, Prefixed to the Lives of the Most Excellent Painters, Sculptors, and Architects. New York: Dover Publications, 2016. Print.
Wallert, Arie. "Natural Organic Colorants on Mediaeval Parchment : Anthocyanins." Proc. of ICOM Committee for Conservation. 10th Triennial Meeting, Vol. 2(1993), Washington. N.p.: 516-23. Print.
Wallert, Arie. Historical Painting Techniques, Materials, and Studio Practice: Preprints of a Symposium, University of Leiden, the Netherlands, 26-29 June 1995. Marina Del Rey CA: Getty Conservation Institute, 1996. Web.
Vasari, Giorgio, Louisa S. Maclehose, and G. Baldwin Brown. Vasari on Technique; Being the Introduction to the Three Arts of Design, Architecture, Sculpture and Painting, Prefixed to the Lives of the Most Excellent Painters, Sculptors, and Architects. New York: Dover Publications, 2016. Print.
Wallert, Arie. "Natural Organic Colorants on Mediaeval Parchment : Anthocyanins." Proc. of ICOM Committee for Conservation. 10th Triennial Meeting, Vol. 2(1993), Washington. N.p.: 516-23. Print.
Wallert, Arie. Historical Painting Techniques, Materials, and Studio Practice: Preprints of a Symposium, University of Leiden, the Netherlands, 26-29 June 1995. Marina Del Rey CA: Getty Conservation Institute, 1996. Web.
Wouters, Jan, and André Verhecken. “The Coccid Insect Dyes: HPLC and Computerized Diode-Array Analysis of Dyed Yarns.” Studies in Conservation, vol. 34, no. 4, 1989, pp. 189–200. JSTOR, JSTOR, www.jstor.org/stable/1506286.
Links to copies of books and pamphlets by title:
A Booke of Secrets: Shewing diues waies to make and prepare all sorts of Inke, and Colours.
And a website in a more 'plain' font that may be easier on modern eyes
A Classical Technology Codex Lucensis, 490. 8th c
Artists' Pigments: A Handbook of Their History and Characteristics, Volume 1
Artists’ Pigments: A Handbook of Their History and Characteristics, Volume 2
Artists’ Pigments: A Handbook of Their History and Characteristics, Volume 3
A Treatise on the Art of Painting, and the Composition of Colours, Containing Instructions for All the Various Processes of Painting: Together with Observations upon the Qualities and Ingredients of Colours. Constant de Massoul
Blackwood's Edinburgh Magazine: Volume 24; Volume 28
The Book of the Art of Cennino Cennini: A Contemporary Practical Treatise on the art of Quattrocento Painting by Christiana J. Herringham.
Common Medieval Pigments - with chemical formulas! paper
The Craftsman's Handbook. "Il Libro dell'Arte".
Garden Irises. Morrison, B. Y. 1926. Web.
Gerard's Herball - Or, Generall Historie of Plantes By John Gerard "an English translation of Dutch scholar Rembert Dodoen’s highly popular herbal of 1554."
The Gottingen Model Book. Gutenburg Library.
Guide to the Art of Illuminating and Missal Painting. Audsleym W. and G. London: George Rowney and Co., 1861.
Historical Painting Techniques, Materials and Studio Practice The Getty Conservation Institute
Il Libro dell'Arte. Thompson's translation.
Mappae Clavicula. Rakow Research Library.
Translation. Smith, Cyril Stanley and Hawthorne, Daniel G. "Mappae Clavicula, a little key to the world of medieval techniques." Transactions of the American Philosophical Society held at Philidelphia for promoting useful knowledge. New series Volume 64, part 4. Philidelphia: The American Philosophical Society, 1974. Pdf downloadable from Rakow Research Library.
Military architecture in England during the Middle Ages
NATIONAL GALLERY TECHNICAL BULLETIN VOLUME 26
The Natural History. Pliny the Elder.
The New Pearl of Great Price: A treatise concerning the treasure and most precious stone of the philosophers. "As written by Bonus Ferrara and edited by Janus Lacinius, 1546"
On Diverse Arts. British Library.
Original Treatises: Dating from the XIIth to XVIIIth Centuries on the Arts of Painting, in Oil, Miniature, Mosaic, and on Glass; of Gilding, Dyeing, and the Preparation of Colours and Artificial Gems; Preceded by a General Introduction; with Translations, Prefaces, and Notes, Volume 1
Original Treatises: Dating from the XIIth to XVIIIth Centuries on the Arts of Painting, in Oil, Miniature, Mosaic, and on Glass; of Gilding, Dyeing, and the Preparation of Colours and Artificial Gems; Preceded by a General Introduction; with Translations, Prefaces, and Notes, Volume 2
Platyne De Honesta Uoluptate & Ualitudi[n]e in Latin at The Library of Congress
another in Latin
Links to Digitized Manuscripts
Bibliotheca Palatina
a whole pile of digitized historical books from Virginia
Pigment Sellers and More Research Resources:
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